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This website uses cookies for functionality, analytics and advertising purposes as described in our, 46' Gibson J45, 00' Guild JF30-12, 05' Martin D-18GE, 15, 06' CA Vintage Performer, 10' Duesenberg CC, 12' PRS DGT, 12' Fender Select Strat, 16' Fender American Elite Telecaster, 17' James Tyler Studio Elite HD, Two Rock SP22, PRS Archon 25. Guitar.com is the world’s leading authority and resource for all things guitar. The September 2020 issue of Guitar Magazine is out now! Female artists also snagged all the nominations for Best Country Album. Receive product news and updates in your inbox. American Stage Cables - https://amzn.to/2E1dmXj5. The most dangerous time of year for your wallets is here. An Unofficial forum for those who love Martin instruments - Founded by Steve Stallings. I had always wanted a Martin but couldn't afford one in '76 so I went with the Guild. From upstart beginnings in the early 60s, Eric Clapton soon established himself as one of the decades’ most lauded players. • SCALE LENGTH 25.4” After selling, I played my Om28V exclusively, but missed having a dread. splinterfingers. Slapped harmonics and tapping runs retain their detail and presence, and the decay envelope of both chords and single notes is smooth and very musical. Have never had the opportunity to try one. Post Apr 30, 2003 #4 2003-04-30T17:32. Accusations of boominess and lack of clarity are often levelled at the dreadnought design. More complex in tone than my D28, not quite as "chimey" as my Larrivee D10 and very different from my Maton Lyrebird - and those three acoustics are not short of tone, volume, projection, balance and all the other unquantifiables we like to talk about. Perfect string balance and great tone on my '06 Tacoma-built D-55. Acoustic Soundhole Tuner - https://amzn.to/355bPLw6. Have owned two D40s and they are a fine guitar. Phosphor Bronze Strings - https://amzn.to/2YtzjHS3. D'Addario EXP16 - Coated Phosphor Bronze Light (.012 - .053), Guild Premium Humidified Archtop Wood Case. Having explored standard tuning we pressed the D-41 into service as a modern fingerstyle instrument with some Michael Hedges-style pieces in drop tunings. Martins look best with natural finish. Martin D-41 • PRICE £4,150 • DESCRIPTION Solid wood acoustic dreadnought. Several years ago, I played one alongside several Martins in a local shop. ...I once had a D-40 and the neck was very steady, not the slightest problem on that one... How you feel about the voice of a D-40 vs a D-50 is a personal matter--I never cared for what rosewood did for the D-50 or any big-body guitar, but individual instruments can easily challenge that general impression. I own a 2002 D55, and I agree it spects out more like a HD-35. I used to collect Guilds and have bought and sold plenty of them, but I always have a D55 in my personal stable. Martins generally have a hyped bass. (My current favorite guitar is a rosewood Goodall Standard.) Like all dreadnoughts this new D-41 is a big guitar with its 15.62-inch lower bout. There is an immediate growl to the bass that paired with the liquid, sparkling trebles leaves us salivating at the thought of just how good this new guitar will get as it matures. What the strength of Guild dreads is, is a smooth frequency response. In addition, in the past decades several upstart companies have sprung up and made some hay by claiming to produce Martin-style instruments “as they should be made”. Can there be a more iconic acoustic guitar design than the 14-fret Martin dreadnought? The Guild D55 in my opinion is far superior to any D-28 I have owned. The dred I think sounded closest to the D55 was the Lowden. The most famous Guild D55 is the one that was custom built for Tommy Smothers by Carlos Greco. Now the hog vs rosewood is pretty black and white defined by personal taste and use. In the case of this D-41 the scalloped, forward shifted braced top maintains excellent clarity and articulation throughout, even when played hard. Famously played by Tommy Smothers on the Smothers Brothers Show in the 1960s, the D-55 grew in both popularity and longevity over the decades, finding homes in the hands of more contemporary artists like Waylon Jennings, Billie Joe Armstrong, and David Nail. In response to TripleOh18's question about the possible changeing neck measurments of the D55 over the years, I can't say. Continuing our journey through the guitar styles of the legendary Three Kings, this time it’s the turn of Flying V-toting blue icon Albert. Loved the tone, but couldn't stand the skinny neck!Eric. i find the rosewood back/side dreads are great as strummers, awesome strumming machines. The two dreadnaught titans of the Guild acoustic line. I've never owned a D-55...or D-50 for that matter. I love their sound and am currently GASing for one. Made in the USA While it commands a thought-provoking price tag, it’s worth pointing out that we have not encountered a dreadnought sound of this quality outside of either vintage Martins or specialist Martin-style luthiers such as Lynn Dudenbostel or Wayne Henderson. The bass is as loud as a D28 but not as thumpy. In our final part of our look at the stylings of the legendary Three Kings, we tackle the searing style of Freddie King. Shubb C1 Capo - https://amzn.to/2rrAfAs4. In truth, we find it hard to put the D-41 down. By checking the boxes you agree to receive the following from us via e-mail. The real beauty of the D 55 is that Martin tone can tend to blur notes while the D 55 has more clarity. What the strength of Guild dreads is, is a smooth frequency response. We ask a man who has played a few. Guild hit its stride in the 1950s and ’60s with a line of steel-string guitars that, while more competitively priced than their Martin cohorts, stacked up quite nicely.Guitars like the D-40—which the late singer-songwriter Richie Havens played for much of his career—were and are known for their straightforward design, hearty build, and fine sound. There’s space for accurate fingering all along the fingerboard and with its 2.05-inch string spacing at the saddle, and with the ‘High Performance Taper’, the guitar’s neck feels fast and inspiring for fingerstyle and flatpicking alike.